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French Faïence

French Faïence

This collection surveys the production of some of the most important centres of production of tin-glazed earthenware in France, where the wares were known as faïence. Knowledge of tin-glazing reached France in the second half of the sixteenth century when Italian artisans settled in the cities of Rouen, Lyon and Nevers. In the seventeenth and eighteenth centuries, production spread to other centres such as Marseille, Moustier and Sceaux.

Tin-glazed earthenware was used in the making of both functional and ornamental objects. Pieces in the Gardiner Museum’s collection also show how faïence makers first worked under the influence of Italian maiolica before turning to Chinese porcelain as the main source of inspiration.

Faïence provided a less expensive alternative to Chinese porcelain, and to the European hard-paste and soft-paste porcelain produced in the eighteenth century. The discovery of kaolin sources in France which enabled the production of more durable hard-paste porcelain, and the spread of less expensive creamware, caused the decline of the faïence industry in the late eighteenth century.

The collection of French faïence was donated by Pierre Karch and Mariel O’Neill- Karch.

Collection Highlights
Monochrome charger with putti playing in the centre
late 17th-early 18th Century
Object number: G14.4.17
Two-handled covered monochrome bouillon tureen
18th Century
Object number: G14.4.16a-b
Plate with a Scene from L’Astrée
1650-1700
Object number: G14.4.12
Charger with Chinoiserie
Artist / Maker: Bordeaux Porcelain
late 18th Century
Object number: G14.4.2